K. Hari

What a girl becomes under

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(scalpel)
is a song in the mouth of
a surgeon gloving
the old wound
teeming omens, belly of
curved silver to excise
what was read in strars,
prohpecy. She swallowed
silent beneath a sheet
all blue, still hidden as
God. Spotlights drenched
her limbs. Her refusal
to show herself stricken
numb & sterile as a blade

(sand)
the neighbor boy sinking
hands into the acned moon
revealed after rain. He loosed
a wicked doll, tennis balls,
her mother tongue. He found
her given name becoming
when he told her to die
so he could push into her,
a kiss. She recalls a rescue
in her grandmother’s voice
a fraying lilt, beckoning back
with grief. Her gritty mane
when told to come home

is what you might call faith

(storms)
with morphine eyes,
the tipped ink sky
her spill of oily hair
sewage plumbed for
treasure. How she saved
droplets in a vial cloudy as
a mirror, revered as holy water,
muddling the stains
in bright glass windows
a promise corked into
a bottle tossed to sea,
from which a body emerges
nothing less than licked clean

K. Hari (she/her) is a physician and poet of Tamil descent who was born and raised in Columbus, OH. Her work makes inquiry into embodied heritage, inevitable harm, and poetic forms as healing. Her writing can be found in publications such as The Shore, The Plentitudes, The Margins, Kartika Review, and The Brooklyn Review, among others. She holds an MFA in Creative Writing from New York University and is a practicing obstetrician-gynecologist.