Jon Sands

Honey

If they didn’t want hands on the honey,

why’d they build the hive?

Ten thousand soldiers guarding

the queen whose job description

includes keeping an eye on the stash.

Of course there’s metaphor in the air

next to what you might mistake for a misshapen

volleyball lodged between branches, some lesson

about if you really want to sting someone

so they remember, it’s best to lead with the sugar.

But that metaphor is for me.

The bees exist for their own metaphors.

I’m more a plague than an enemy worth seducing.

 

A lot of good that truth does me tonight

at the tips of four octopus tentacles

sucked this morning from the sea, sliced,

and laid before my wife and me in a restaurant nice

enough to have two guitar players and a woman

who pulls high notes through the soles of her feet.

We call it a honey                            moon

with honey             spread across the dessert menu.

Because I’m in love and can make the music mean

anything I want it to                          without having to look

one dead thing in its eyes.

Jon Sands is a winner of the 2018 National Poetry Series, selected for his second book, It’s Not Magic (Beacon Press, 2019). He is the facilitator of the Emotional Historians workshop, a series of generative writing classes you can find out more about on IG at @iAmJonSands. His work has been featured in The New York Times, published in The Rumpus, The Millions, Cortland Review, The Brooklyn Rail, Muzzle, and many others, as well as anthologized in The Best American Poetry. He is a curator for SupaDupaFresh, a monthly reading series at Babel Loft in Brooklyn, and has received residencies and fellowships from the Blue Mountain Center, the Brooklyn Arts Council, the Jerome Foundation, and the Council of Literary Magazines and Presses.