Benjamin Faro

LOOSE TOBACCO IN G MAJOR

    After Jimi Hendrix 
    For Joe 

I met him when my lungs were clean, typically
after dusk, escaping unsupervised into our own night

club, where a dark bird beckoned through a haze, electric  
in its longing, leading the way to my future amplified 

by smoky ruin. I’d like to say I don’t do things only when sad  
chimes tell me so, but there was something irresistible  

about riding in that old pickup on the way to the mountain  
with a sweet friend who taught me how to roll and drink  

black coffee, then disappeared. Out of the blue. The brake lights 
didn’t work, so there was no indication of slowing down;   

and the window was jammed half-mast, so even in the winter  
we sucked down stimulants under a flat sky, in a flurry  

that filled the cab with snow: two boys assuming adulthood  
had arrived early, practicing a new language, broken, bending  

around a curve that would certainly take us somewhere. Icy  
roads were the least of our concern. At that time in our lives 

no time was a bad time for being unwise. Now, ill-advised, 
I’ve stayed up all night again. It’s five o’clock in the morning,  

and I hear the familiar call of a bird in the night—Hey Joe. 
The rainless roll of high thunder persuades me to return  

to old habits. It’s been a decade since we spoke, and here I am  
waiting, tasting for invisible notes of campfire and quinine.

Benjamin Faro is the green-thumbed editor of Equatorial Literary Magazine. His poetry appears in About Place Journal, American Literary Review, Cream City Review, Nimrod International Journal, Portland Review, San Pedro River Review, Saranac Review, TIMBER Journal, West Trade Review, and elsewhere. Find him @may_your_problems_end