Emma Bolden

Tale

The fox offers a beautiful argument about ending
up whole on the side of the road. Some animals 

are capable. Some animals are bone dusting 
the highway’s sharp lines. I am an animal 

who’s not sure how to live without taking 
up too much space. In every fairy tale, there’s 

a dead mother, there’s a daughter who’s a girl 
whose only god is the ignorance of danger, 

there’s a forest and a grandmother whose god
is I told you so. I am an animal who isn’t sure

about the happily, whose god is in the ever. 
Ivy scrolls over the highways, the headlights’ 

eyes open to a terror synonymous with wonder, 
with learning they’ve always been the same thing. 

In the margins of the story where we tell ourselves 
there’s a border between home and wilderness, the fox 

isn’t grinning. He’s hiding his laughter inside 
of his teeth. The girl becomes the mother becomes  

the grandmother who becomes dead and the story  
narrows to a light in the center of a pupil, steady,  

still even after the car’s signed its name, hot, in rubber.  
Are you paying attention, I read in its tracks. 

Emma Bolden is the author of a memoir, The Tiger and the Cage: A Memoir of a Body in Crisis (Soft Skull Press, 2022) and the poetry collections House Is An Enigma (Southeast Missouri State University Press, 2018), medi(t)ations (Noctuary Press, 2016) and Maleficae (GenPop Books, 2013). The recipient of a Creative Writing Fellowship from the NEA, her work has appeared in such journals as Ploughshares, The Gettysburg Review, The Seneca Review, The Rumpus, StoryQuarterly, Pleiades, Prairie Schooner, TriQuarterly, and Shenandoah. She currently serves as an editor of Screen Door Review: Literary Voices of the Queer South.