Jose Hernandez Diaz

Mars Exit

I walked outside after a long night’s rest and discovered the corporate skyscraper across the street was transformed into a monk’s temple. There were several monks inside meditating and listening to calm music from a diminutive guitar of some sort. Not sure what religion. Didn’t want to find out. I have nothing against organized religion or asceticism for that matter; it just feels like a tough line to walk. What happened to the massive skyscraper, anyway? Was I still asleep? I started pinching myself on my forearm, then I started bleeding. I walked into the busy, musty liquor store and purchased a Band-Aid. It was no relief from the sudden rain. It made me want English Breakfast tea, though. I feel pretentious every time I order English Breakfast tea with the cute artsy barista who writes “great choice” on my cup of bitter tea. Should I ask her out? Will that offend her? I am like a 5-year-old Russian chess prodigy vs a highly sophisticated computer program: stalemate. My phone rings. I’m late for my meeting with a group of inquisitive Martians who are interviewing me for a prospective relocation to the Red Planet. Hello, I say. It’s an honor to speak with you all. I’m thinking of making the move…

Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is the author of The Fire Eater (Texas Review Press, 2020), Bad Mexican, Bad American (Acre Books, 2024), The Parachutist (Sundress Publications, 2025), Portrait of the Artist as a Brown Man (Red Hen Press, 2025) and the forthcoming, The Lighthouse Tattoo (Acre Books, 2026). He has been a Visiting Assistant Professor at the University of California at Riverside and Visiting Writer in Residence at the University of Tennessee.