Marcus Jackson was born and raised in Toledo, Ohio. After earning his BA at the University of Toledo, he continued his poetry studies at NYU’s graduate creative writing program and as a Cave Canem fellow. His poems have appeared in The New Yorker, Harvard Review, and The Cincinnati Review, among many other publications.
Marcus Jackson’s chapbook, Rundown, was published by Aureole Press in 2009. His debut full-length collection of poems, Neighborhood Register, was released by CavanKerry Press in 2011. His next collection is forthcoming in 2016. Marcus lives with his wife and son in Columbus, Ohio. He will serve as the guest editor for the 2015 The Journal/OSU Press Wheeler Poetry Prize.
Recently, Jackson spoke with poetry editor Willie VerSteeg about his influences and writing process.
Willie VerSteeg: What recent books of poetry have been holding your attention?
Marcus Jackson: I’ll be loose with the word “recent,” since I’m always going back to things I’ve already read and loved, in addition to latching onto great, brand new books the first time around. Staring with the quite new collections, I love Ross Gay’s Catalogue of Unabashed Gratitude, Malachi Black’s Storm Toward Morning, and Claudia Rankine’s Citizen. In these books live abundances of emotional flux, lyric force, and intellectual precision.
As for a few books I’ve read the bindings off of and that have been calling me back lately, Tracy K. Smith’s Life on Mars, Ted Kooser’s Delights and Shadows, and Philip Levine’s One for the Rose. Life on Mars is a masterful collection in many ways, especially in how it incorporates such a variance of scale among its subjects and tones. Kooser is a sorcerer when it comes to making everyday objects and scenarios radiant and/or suddenly dark. …